Who's Who in Indian Classical Music
By V Ramnarayan
If today, ‘Vikku’ Vinayakram is synonymous with the ghatam, there was a time such giants as Tiruvilvamalai Vilvadri Iyer and Umayalpuram Kodandarama Iyer added lustre to the magic mudpot of Carnatic music. Alangudi Ramachandran was one such exponent of the ghatam, someone who made significant changes to its practice. K Ramachandran was born on 22 June 1912 at Koduntarapalli, Kerala and passed away on 15 June 1975. Learning the art of percussion and ghatam playing from Kuttalam Kuppuswami Pillai, Kuttalam Sivavadivelu Pillai and Needamangalam Meenakshisundaram Pillai, Ramachandran first ascended the performance stage as an accompanist of Chembai Vaidyanatha Bhagavatar. Even as a child, Ramachandran had unusual interest in music, percussion in particular, and after his father Krishna Iyer settled down at Alangudi, often walked a few miles to listen to radio concerts at Terezhundur town. Fascinated by the tavil prowess of Meenakshisundaram Pillai, he took up a job in a restaurant at Needamangalam to facilitate his joining him as a student. It was Pillai who persuaded him to take to the ghatam. Ramachandran later took lessons from mridanga vidwan Mayavaram Kuppuswami Pillai.
Big-made Ramachandran had the right physique, potbelly and all, for the effective demonstrative style of ghatam playing. Chembai Vaidyanatha Bhagavatar was very fond of him; he would not hesitate to add him as an unscheduled second ghatam artiste to his cutcheri ensemble. A believer in meaningful collaboration on stage, he underplayed his role if he thought it necessary for the success of a concert. Known for his precision fingering, “the sound of his fingers would resemble hitting with steel, that too on a Manamadurai ghatam” (Centenarians 2012, Chennai Fine Arts). Eventhough he used a very heavy ghatam, he invariably tossed it up for dramatic effect in concerts and composed special korvais for the act, according to mridanga vidwan TV Gopalakrishnan, a friend, colleague and admirer.
Among Ramachandran’s happy accomplishments was his longish stint as an accompanist of MS Subbulakshmi and popular musicians KB Sundarambal and MK Tyagaraja Bhagavatar. He had the rare blessing of dying in harness, immediately after his tani avartanam for a DK Jayaraman concert at Shanmukhananda Sabha, Bombay.