Monday, 13 July 2020

Dancer Kalpalatha Thiagarajan

Dancer and teacher, Kalpalatha Thiagarajan, passed away in Montreal, Quebec, Canada, on 27 May, 2020.

Born on 10 April 1949, Kalpalatha hailed from a performing arts family of F.G.Natesa Iyer. Moulded by her father Gemini N. Thiagarajan and mother Saraswathi Thiagarajan, Kalpalatha was also well-trained in Kuchipidi style of dance. She learnt bharatanatyam from eminent gurus like Kanchipuram Ellappa Pillai and Adyar Lakshmanan and kuchipudi from guru Vempatti Chinnasatyam.

She had had over 100 students graduate from her Peali Arpana school of dance in Bharathanatyam and Kuchipidi. 

Kalpalatha had served Bharatiya Sangeetha Sangham, Montreal for more than eight years as president and treasurer working hard to inculcate and promote classical art in Montreal. Her deep love for dance and art along with her sense of passion, commitment and hard work brought many great programs to Montreal. She would be there for all events, engaging the artists, the audiences, managing the finances, cooking for artists and thoroughly enjoying the process with her beautiful smile. She was a huge part in culture building with the Hindu Mandir of West Island.

Lata touched many hearts with her smile, sense of humor, generosity and love. She would forever be remembered as a fantastic teacher, an exponent of Bharathanatyam, a great friend and a community leader. Her demise is a huge loss for our art community in North America. We salute her contributions and will always remember her as a warm and loving personality. We dedicate the entire year of activities to pay respect. 

Montreal community

Apsaras Arts - Launch of Digital LIVE Production of Anjasa

Unravel the Wonders of Buddhists Monuments of Asia & Art Challenge

On 6 July 2020, Apsaras Arts announced the launch of the upcoming digital live showcase of this acclaimed 2015 production where the audience will journey through Bharatanatyam expressions and movements that depict monuments including Mahadevi Temple in Nepal, Bodhgaya Mahabodhi Temple and Sanchi Stupa in India, Vattadage in Sri Lanka, Shwedagon Pagoda in Myanmar, Bayon in Cambodia, Borobudur in Indonesia and Wat Pho in Thailand. This thematic dance presentation will also cover the influence and impact of Buddhist emperors, Asoka and Jayavarman VII who were iconic in the spread of Buddhism throughout Asia.

This screening is presented on SISTIC Live, a major ticketing platform in Singapore from 23 to 27 July 2020. An Art Challenge has also been launched in conjunction with this showcase. The challenge calls for artwork inspired by the monuments featured on the dance performance of AƱjasa.

1. Entries close on 18 July 2020 at 23:59 hours
2. Entries are welcome from both Singapore and International participants
3. Digital copies of Drawings, Sketches, Water Colours etc and Digital images are welcome
4. Submissions must be inspired by one of the monuments featured in the Dance production ANJASA as listed above
5. Top three (3) winning entries will be decided by the number of likes received on Apsaras Arts Face Book and Instagram pages displayed from 19th July to 23nd July. Winners will be announced on 23rd July 2020.
6. Winning entries will be made as souvenirs and shared during upcoming international tours of ANJASA and featured in the ANJASA brochures. Winners will receive ONE (1) complementary ticket to the screening of ANJASA on SISTIC Live. from 23rd to 27th July 2020

To submit the ART Challenge entry: https://tinyurl.com/ycsoj5lj

Follow this showcase and related videos and talks: https://www.facebook.com/anjasa2015

For tickets [ Available from 18 July till 27 July]: https://www.sistic.com.sg/events/slanjasa0720



Tuesday, 7 July 2020

FROM THE EDITOR


“Cyber” and “online” are the latest catchwords. With no let up in the Covid 19 pandemic and the continuation of restrictions, the resumption of truly live performances, in halls big or small, seems to be quite a distant possibility. We have cyber performers, cyber teachers, cyber speakers, cyber organisers and cyber spaces. Cyber sessions by musicians, dancers and theatre personalities are either streamed “live” (!) or resurrected from the archives. The performance space has shrunk from the large proscenium to the restricted camera area in the artist’s room. So too has the space for the audience who watch performances peering into digital screens—big, medium or small, in the casual comfort of their homes. In the wake of social-distancing, online concerts must have drawn several new enthusiasts into the arts circuit and also kept alive the interest of seasoned rasikas. Online performances are a good makeshift arrangement; cyber can certainly coexist and complement live performances, but cannot really replicate the wholesome live experience. However, artists and several arts curators have risen to the occasion and the cyberspace is buzzing with online arts activities, especially on weekends. There is a mindboggling variety to savour. The spotlight in the July issue continues to be on Covid 19 and the arts: two of our seasoned writers—Sujatha Vijayaraghavan and Shailaja Khanna, who have watched a range of performances have presented interesting reviews of online programmes during the lockdown.

We present a special feature on the debonair sarod maestro Amjad Ali Khan, his music and his musical lineage. It is a ‘double delight’ as we have also brought to you a rare interview with his father, the late sarod maestro Ustad Hafiz Ali Khan. And what a coincidence that the interviewer is none other than Lalita Khanna—mother of Shailaja Khanna who has penned the profile-interview of the famous son for Sruti! The interviews throw light on their learning, life and approach to the arts. 

We are launching two new series in this issue. One is an occasional series on popular choreographers/ teachers in classical dance who are crowd pullers—in an attempt to explore the secrets of their success. The first person to be featured in it is Madurai R. Muralidaran, passionate about laya, Tamil and music, who has been showcasing his mega dance musicals globally and whose compositions are very popular among dance teachers. The second series is on the ‘Saptaswara devatas’ by ace painter, musician and musicologist S. Rajam. We published many of his paintings while he was alive. However, it has been our long standing wish to share with our readers, details about the original paintings of the saptaswara devatas that adorn the walls of Sruti office. We begin the series with S. Rajam’s painting Origin of the Swaras, and hope to present each swara in the next seven issues of the magazine.

The Carnatic music world has lost a stellar artist in the passing away of octogenarian musician T. Rukmini on 31 May 2020. Her good friend, Sujatha Vijayaraghavan pays rich tribute to this versatile violin soloist, accompanist, vocalist and teacher, who charmingly couched her laya prowess in the sheen of melody and bhava.

This year Guru Poornima falls on 5 July—the day to pay respects to the guru, guide and mentors. We have come a long way from gurukulams where disciples spent years with the guru, to home tuitions, group classes, and to impersonal online classes. I recently came across an announcement inviting students to learn nattuvangam online qualifying age three to adults! Now where are we heading for? Take care! Be safe.

S. JANAKI

Saturday, 4 July 2020

RASHESWAR SAIKIA BARBAYAN SATTRIYA AWARD


After the untimely demise of guru Rasheswar Saikia Barbayan, the founder-principal of Sangeet Sattra in October, 2000 a group of culture-loving people of Assam introduced the ‘Rasehwar Saikia Barbayan Sattriya Award’ in the year 2009 as a mark of respect to late legendary guru for his untiring efforts to establish Sattriya dance, music and Bhowna. From the year 2013, Sangeet Sattra continued this award to commemorate and offer their respect to their founder-principal. This coveted award is given to persons who have dedicated their life for the all-round development of Sattriya culture and Indian classical traditions. The eminent personalities chosen for this year’s award are – Sonaram Sarma Burah Bhakat, a devoted Bura Bhakat of Mul Kamalabari Sattra, Dr. Nita Vidyarthi, eminent dance critic, and Kalavati Devi, renowned Manipuri dancer.

Due to the current pandemic, the formal award ceremony will be held at a later date.

Wednesday, 1 July 2020

Apsaras Arts Roundup

Singapore’s initial lockdown restriction was revised with relaxed restrictions to “Phase 2” from 19 June 2020 as the arts community prepares to reopen studios for regular dance classes from early July.  Apsaras Arts surges ahead with continued digital conversations with interesting speakers. 

This past week, two digital events were held; ‘Spotlight Series’ part five, featuring outgoing India High Commissioner to Singapore, Jawed Ashraf. During this tenure, he created many important initiatives that strengthened India-Singapore relations including the inauguration of a memorial of Mahatma Gandhi at Clifford Pier in 2017 (now the Fullerton Bay Hotel), marking the occasion of the immersion of his ashes here in Singapore back in 1948. All these events were marked with rich cultural content showcasing the vast and rich heritage of India. Many of these performances featuring classical dance, instruments and yoga practitioners of Singapore were curated and coordinated by Aravinth Kumarasamy of Apsaras Arts as well.

In this Spotlight session, H.E Javed spoke on “Transcending Boundaries – The Power of India’s Cultural Heritage.” Speaking off the cuff from the High Commission of India, on 21 June, which was coincidentally international day of Yoga, he spoke with eloquence and depth on the enduring power and potential of the centuries long transcending of Indic traditions and culture through language, ideology, customs and traditions to the rest of Asia and in particular, the specific influences to South East Asia, including Singapore. The many communities he managed to engage, the religious activities he participated in, all had cultural elements embedded and he feels that Indian culture and heritage can continue to build dialogue and bridges for long-lasting friendship and camaraderie between India and Singapore. This session was attended by over 80 participants including those from Europe, especially French-Indian arts organisers who are anticipating his impending arrival and are looking forward to support from the Government of India for Indian cultural exchange in France. It was a pleasure hearing his views, many of our students and participants were encouraged to hear his positive words, especially during this difficult global pandemic. 

This was followed by a new series by Apsara Arts called ‘Heart 2 Arts – Conversations with Darshana Series Artistes’ on 26 June 2020.  Moderated by Mohanapriyan Thavarajah, this series featured conversations with Singapore-based dancers who have been featured in Apsaras Arts Darshana Series. This series began in 2018 and recreates an intimate setting of thematic solo and duet performances by locally based professional dancers.  The first session opened with Kathak dancer, Shivangi Dake Robert who had presented her show, Nupur Lahiri back in late 2019. In this session, Mohanapriyan explored the voice of the dancer through the selected pieces and themes and creates a conversation around how they created their show, the inspiration for their showcased pieces (he shows snippets from the show as part of the flow of discussion) and also how their past training impacts their performance style and what it takes to bring out elements in a piece. In this discussion, Shivangi shared how she used sequential lighting to showcase four unique characters within a storyline and explained how contemporary techniques like this help create more relevant performances. This session is available on Facebook Live at this link: https://www.facebook.com/DarshanaIDS for viewing.